Wednesday, August 20, 2014

Hola Señorita. Or........ What Was I Thinking?



I have two titles for this post.  The first, Hola señorita, because I want to pay homage to the country of Spain that I will be visiting soon.  The second for my mistake of using a skinner blend in the background and worse trying to add to it.  This post is about how I fixed my screw up.

In about a month my sister and I will be heading to Madrid, Spain.  I will be attending my first EuroClayCarnival.  If it follows the format of Clay Carnival here in the states there will be an evening of "inchie" swapping.  I will be honest I don't usually put this much effort into my inchies but with the trip to Europe it felt special so I wanted the inchies to be special too.  I came up with this drawing for my flamenco dancing woman.



I went about making my cane.  I didn't have a real purpose in mind other than my inchies so I made the cane very short, about an inch in height.  I didn't want endless amounts of cane when all was said and done.  Then I came up with the brilliant idea to have the background be made using a skinner blend.  This gave the appearance of a spot light on the dancer.

 
 
 

 
 
I was really liking the way this cane was turning out.  I started thinking that I would really like to take some of this cane and add a skirt to it.  It was about this point in the building of the cane that I stumbled on the web page of artist Adam Thomas Rees.  For his self portrait he cut up his completed cane into sections and then reduced the sections separately. (Here is a post about him in Polymer Clay Daily) Now I very often take parts of my cane and make it larger and then reduce that section to be worked into the final cane.  I had to do this with her hand in order to get the detail of her fingers.  I should have realized that this wouldn't work too well since I didn't create the whole cane. Then throw in the problems that arise from working with a skinner blend in a cane and I should have known I wouldn't be happy with the results.  But hey thinking is not my strong suit.  I pressed on.  I reduced the completed square cane, put some aside for my inchies and started on her skirt.
 

 





After putting the two sections together I reduced the cane down to about 1 by 2.5 inches.  Here is the whole enchilada.  :)
 


You can see where the join of top and bottom just don't meet up as well as I'd like.  So what to do now.  I decided to take the if you can't beat 'em join 'em tactic and slice and adjust each cut so that bad join lines seem intentional.






This will require cane slice manipulation for each piece but it will make the finished piece so much better.  At least to me it does.  Here is the sanded and buffed completed piece.  Now to figure out what to do with the rest of the cane.
 











Tuesday, August 12, 2014

Mommy and May Update




 






In my last post I wrote about using the extruder for my latest portrait. I didn't go into detail of what I did with the extruded pieces.  I have been trying to come up with a way to create depth in my mosaic pieces.  It has been difficult to come up with something because of the mechanics of it and the sheer number of pieces involved.  I don't mind a challenge but it has to be able to be completed in my lifetime.  I decided what I would do would be to mount the pieces on separate sheets of clear plastic.  I then had to decide how to break up the colors. At first I thought I'd put the lightest colors on the foremost sheet of plastic and the darker towards the back.  This would make sense since the lightest would probably be the raised parts.  I decided against this because of the difficulty of construction.  I knew it would be easier to have a greater change in color scale while I was placing the pieces. 
I came up with four sheets with each sheet having four to five colors on them.  Of course it was a @#$% (bleep) getting them lined up but no one ever said it would be easy.  It was another one of my artistic leaps of faith because I had to finish it before I knew whether it would work. 
Here are some of the individual sheets and a little movie I made to help illustrate the depth effect I was going for.





I would like to say that my Mommy and May project is complete but the truth is I still need to mount her permanently.  I also want to add some mats.  Because of the problems of the reflections I had to bring out my huge photo cube that I got when I bought my photo lights.  The cube pops out to be about 4 feet square.  I was then able to put the whole picture inside the cube.  I then draped the opening of the cube with black fabric. This covered over the camera that was set on a tripod.  I then used the remote shutter release to take the picture.  This way I wasn't there to be reflected in the glass or the plastic.  And voila no reflection.

I am ever going to repeat this process I think I would mount the pieces on glass rather than plastic.  This way if I made a mistake it could be scraped off.......Yes, I know it may come as a shock to some but I do make mistakes.

Thursday, June 19, 2014

"Mommy and May" or" How I Learned to Love the Extruder Again"

For my latest project I am going to do another portrait.  This time it is of a friend and and her new born baby, May.  I have been wanting to do a duo portrait and since my children haven't given me any grand children (although I remain hopeful) I had to borrow from my good friend.  I think the photographer (I have her permission to use this photo) did a wonderful job and I knew when I saw it that I wanted to see if I could capture this in clay.  

 
 
For this project I knew I wanted to go back to the extruder.  I would need around 4000 pieces to complete this picture.   Today's post is all about the czextruder.  This is the new extruder that comes from Lucy tools in the Czech Republic.  Here is a link for the site in Europe.Lucy Tools.   The distributor here in the USA is Kimi's jewelry and gifts.



I bought an extruder from Kim quite awhile ago.  To tell you the truth I didn't love it.  I had put it aside and pulled out my handy green makins if I needed anything extruded.  My last portrait of my son Kevin wasn't extruded but I planned on using the extruder for my latest portrait.  I knew I was going to be cranking out a lot of extruded pieces I thought I'd give  Lucy's another try.  I am glad I did.  I had much better results this time and I owe it all to this little jar of lubricant.

 
 
 
Now it's been a while since lubricant gave me such pleasure, but that's not a story for this blog.  How can lubricant be so great in this instance is that it makes the czextruder work like it's suppose to.  When I first tried the extruder I found three major problems.
 
  1. It was very hard to hold in your hand.  I tried putting it into a vise but I was afraid I was bending the barrel.
  2. When I tried using the drill with it, the end cap got very hot and I had to work the drill very slowly.
  3. While using the crank I found that the end cap would tighten up to the barrel so much that I had to use pliers to get the cap off.  And I times I was afraid it wouldn't come off at all.
 
As I said I had purchased my extruder from Kim.  I also bought the conversion from the T-handle to the crank handle.  Kim knew of my massive extruded projects and also included the newer model.  Now to be honest I never figured out which is the newer model but I knew I had both a crank type and a T-handle version.  The crank version is the one that kept getting the end cap stuck so I haven't tried it again.  But I did give my pink T-handled extruder a try.  Armed with the small jar of lubricant (I applied some lubricant to the long screw shaft of the extruder) and another important addition -  the extruder vise, I gave it another go.
 





I frankly don't see how you could use the extruder without this little clamp.  I just screwed mine into a piece of wood and then clamped the wood to my work table.  I started out slowly using the T-handle to extrude my clay.  I then got brave and pulled out the drill.  SUCCESS!


I sometimes have to use my pliers to take the extruder off of the vise but it's not that hard.  The one thing I still don't like about the czextruder is that the "plunger" is a separate piece.  This means that you have to take the whole thing apart every time.  there are times that I may only want to extrude an inch or so of clay.  Well you can't just back up the extruder and inch and load the clay.  The plunger will not back up into the barrel since it is not attached.  Here is a picture of my extruder ( I have the larger one), my clay ready to go into the barrel, the separate plunger, the T-handle and the other item I recommend purchasing, the cleaning brush.


 
 
 
To help clarify here is a picture of the crank handle version.
 



Now I need to get back to work on my portrait.  Here are some of the containers that I have filled with slices taken from the extruded clay.  Wish me luck.....



Saturday, April 5, 2014

Labor of Love




Wow it's a good thing I didn't make a New Year's resolution to post more often to my blog. (insert smiley face)  It's amazing how fast time flies when you're having fun.  Today I'm going to talk about my latest project, it is a portrait of my son Kevin.  I started working on this way back in December and just now finally finished it and it's up on the wall.  The finished portrait is 3' x 4' tall.  I guess I made upwards of 100 different canes that went into this project.  The hardest part of this project was determining how many canes that I needed to make.


They're all black and white and shades of gray. Hmm. ....50 shades of gray ....at times it was torturous ...but I also liked it....hmmm maybe there's a book here.

I created this project by first creating 12 in. Sq blocks of scrap clay that I created a bubbly surface on.  I then applied thin slices of my canes to match a photograph that was taken by my sister-in-law when Kevin was just a little tyke.  It is my favorite photograph that I have of him.



 If I'm ever to do another project or mosaic like this again I think I will prebake my squares rather than trying to put them on raw.  It was hard getting the 12 in.² blocks to match up as nicely as I would like them too.
Here are pictures I took along the way. There's also a final picture of Kevin standing near his portrait.










Wednesday, January 1, 2014

Happy New Year!

Ok apparently I can't do any better.  March 26th then August 11th and that was it for the year?  I am so sorry to keep y'all hanging.  So in addition to my yearly new year's resolution diet I vow to post more regularly in 2014.  Let's hope that last longer than my diet usually does. 
So what's been happening?  My "delft" class in Vegas went great.  I think Clay Carnival is going to be in August again next year. Donna has some teachers coming from Europe to show us what's happening over there.  I hope to be there as a student again.  I believe I "misplaced" some money and I have to go and get it back. (If I knew how to insert one of those smiley face guys I would!)
While I was in Vegas I able to take Diane Keeler's doll head class when I wasn't teaching.  I had a great time.  My head didn't even look like Benjamin Button.  I have been telling myself that I need to do another one.  My face has what I call a lobotomy scare across her head.  She had gotten a little dirty and when I added some more clay to her forehead there developed a line.  Oh well, as I tell my students the class is just a journey.  The end doesn't come right away.  I will try to get some photos of my head added to this post.
right now I have to tell you about an upcoming teaching gig that I have outside of Tampa, Fl.  That's right sunny, temperatures in the seventies, Florida.  I will be down at McKilliams studios on Jan 11 and 12.  I will be teaching my "Cathedral Window Framing Class".  Come join me!  If the temperature and Me isn't enough, Alice Stroppel will be teaching a class on Friday Jan 10.  She is teaching her pen and ink on polymer class.  She swears you don't have to be able to draw......We'll see.  If you want to know more about either class contact Contact Sammie Williams at McKilliams@gmail.com



Here are some examples of what you might create in my class.  We will spend one day creating canes for our pendants.  I will teach how to reduce your canes down to "micro-cane" size.  I will give tips on reducing, combining canes, slicing and construction.  The second day we will create the frames and put them all together for your pendant. What a great way to start 2014.  Hope to see you there! 

Sunday, August 11, 2013

Playing With the Hand That Was "Delft" You

First off let me say....MARCH 26th !@#$#@  Come on Julie you can do better than this.  What have you been doing that keeps you away from your blog that ten's of people read?  Well quite a bit actually.  I've been to Toulouse, Dufort and Paris France.  (didn't see anyone's underpants) I've been to Washington DC with Meisha Barbee.  I've spent a marvelous week at a retreat in Virginia and next week I head to Las Vegas, Sin City, Clay Carnival to teach my class that gets its inspiration from delft pottery.  Most of you know what delft pottery is but if you don't it's that blue and white pottery that makes you think of tulips, wooden shoes and the boy with his finger in the dike.  Well that is what it makes me think of.  For the class I am under constraints of time and clay.  It is a four hour class and we will be using shades of blue and white. Here is the picture I sent Donna Kato for the class description.



It can be made using only one cane that you take slices from at different stages of the reduction.  In coming up with the class I made several blue and white canes using a fairly simple cane technique that I came up with while I was working on my Chuck Close portrait.  I decided I would try to challenge myself to see how many different ways I could use these blue and white canes.  Now I wish I could say that all of these projects are finished but remember who you are dealing with here.  Her last blog was March 26 for $#$% sake.

This necklace is mostly finished.  I have to add some beads and a clasp.  I am taking a findings class with Kathleen Dustin and hoping I can get some inspiration after the class.  The focal "bead" is done like my framed mosaic pieces but with a more simple cane slice in the center.  You can't see but the sides have cane slices too.  Now normally I would have put in on a cord and called it a day.  I think it is beautiful on its own.  I have some dear friends who have encouraged me to complete my necklaces with more beads (in order to make them more saleable) so that is what I have done here.....well....that is what I am going to do here.  Do you see my problem?  Maybe this is why I am not in the business to make money.  Or maybe that's why I am not making money. 




Here is another unfinished necklace.  After seeing posts about Melanie West's traveling necklace I thought I'd make some big shiny balls.  So I did.  Now what?  I put the three of them together on a cord.   Didn't like the way that looked.  Put in some spacer beads.  Better but still no good.  Then I decided I would try a multi-strand necklace.  Still playing around with that.  Of course I dropped one end and all of the small beads went flying when I was trying to set it up to photograph.  Taking this necklace with me to a retreat for more advice.  Please feel free to add some comments on what you think. 

 
 
 
I decided to make a few necklaces and pendants that might sell at Clay Carnival.  So if you are going be sure to stop by the store before you hit the slots!  These are more likely what I would wear....What can I say I am a casual girl.






As you can see I am getting quite a lot out of a few rather simple canes.  Well, simple when compared to my face canes.  I like bracelets so I did a couple of cuff bracelets.

 
 
Then I went way outside my box and made a .......box.  Actually I covered a ceramic box that I bought at Michaels.



 
 
 
Then I really blew the box up and made this piece (that really isn't anything yet because it has no holes or a pin back yet) that is a cross between an organic piece and a framed piece.




I have some earrings that I know you will be shocked to hear are not finished but they weren't even close enough to photograph.  I hope you forgive me (and I am talking to you, Barb D.) for being so late but that you have enjoyed my blue and white period.